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FUNNY BIRTHDAY QUOTES PICTURES
In her early forties, after a succession of failed artistic careers (most notably as an actress) and an annulled marriage, Beatrice moved back to Los Angeles, California. Wood was next introduced to the art patrons, Walter and Louise Arensberg (who would become her lifelong friends). They held regular gatherings in which artists, writers, and poets were invited for intellectual discussion. Besides herself, Duchamp, and Roché, the group included Man Ray and Francis Picabia. Beatrice Wood's relationship with them and others associated with the avant-garde movement of the early 20th century, earned her the designation "Mama of Dada." Beatrice did not stay at the academy because it was too academic for her. Roché lived in Paris with his wife Denise, and had by now written Jules et Jim ... Because the story concerns two young men who are close friends and a woman who loves them both, people have wondered how much was based on Roché, Marcel, and me. I cannot say what memories or episodes inspired Roché, but the characters bear only passing resemblance to those of us in real life! Though she was involved with Roché, the two would often spend time with Duchamp, creating a love triangle. Biographies of Wood traditionally link Roché's novel (and the consequent film), Jules et Jim, with the relationship between Duchamp, Wood, and himself. Other sources link their triangle to Roché's unfinished novel, Victor, and Jules et Jim with the triangle between Roché, Franz Hessel, and Helen Hessel. Beatrice Wood commented on this topic in her 1985 autobiography, I Shock Myself: During this time period, Wood was introduced to Marcel Duchamp, who in turn introduced her to her first great love interest, Henri-Pierre Roché, a man fourteen years her senior. She worked with Duchamp and Roché in the 1910s to create The Blind Man, a magazine that was one of the earliest manifestations of the Dada art movement in New York City. The onset of World War I forced Wood to return to the United States. She continued acting with a French Repertory Company in New York City, performing over sixty roles in two years and spent a number of years thereafter performing on the stage. Beatrice Wood was born in San Francisco, California, the daughter of wealthy socialites. Despite her parents' strong opposition, Wood insisted on pursuing a career in the arts. Eventually her parents agreed to let her study painting and because she was fluent in French, they sent her to Paris where she studied acting at the Comédie-Française and art at the prestigious Académie Julian. Beatrice Wood (March 3, 1893 – March 12, 1998) was an American artist and studio potter, who late in life was dubbed the "Mama of Dada," and served as a partial inspiration for the character of Rose DeWitt Bukater in James Cameron's 1997 film, Titanic. Beatrice Wood died nine days after her 105th birthday in Ojai, California.
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